RosaSolis

It is customary to write that it was the hand of God that guided that of John Sebastian Bach, and it is true that his works have a supernatural beauty that cannot be explained. However, it is this man who, every Sunday, repeatedly envied this miracle, the composition of a new cantata ...

Our ensemble wanted to associate the voice of its soprano, whose highs shine towards the skies, with the often heartbreaking sound of the oboe, to interpret exclusively sacred works, with the exception of concerto BWV 1053, and thus to find spirituality and Sunday fervor in the St. Thomas Church in Leipzig…

Cantata, BWV 21 - Ich hatte viel Bekümmernis (1714)
Sinfonia, with oboe

Cantata, BWV 147 - Herz und Mund und Tat und Leben (1723)
Aria: Bereite dir, Jesu, noch itzo die Bahn

Cantata, BWV 21 - Ich hatte viel Bekümmernis
Aria: Seufzer, Tränen, Kummer, Not (with oboe)

Cantata, BWV 36 - Schwingt freudig euch empor (1731)
Aria: Auch mit gedämpften, schwachen Stimmen

Cantata, BWV 156 - Ich steh mit einem Fuß im Grabe (1729)
Sinfonia da cantata, with oboe

Cantata, BWV 57 - Selig ist der Mann (1725)
Aria: Ich ende behende mein irdisches Leben

Cantata, BWV 82a - Ich habe genug (1727)
Aria: Schlummert ein, ihr matten Augen

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Oboe Concerto, BWV 1053 (1738)
Allegro, Alla Siciliana, Allegro

Cantata, BWV 58 - Ach Gott, wie manche Herzeleid (1727)
Aria: Ich bin vergnügt in meinem Leiden

Magnificat - BWV 243 (1730)
Aria: Quia respexit, with oboe

Cantata, BWV 51 - Jauchzet Gott in allen Landen! (1730)
Aria: Höchster, mache deine Güte

Easter Oratorio - BWV 249 (1725)
Adagio, with oboe

Cantata BWV 115 - Mache dich, mein Geist, bereit (1724)
Aria: Bete aber auch dabei

Total duration of the concert: approximately 1h40