Arts-Scène Diffusion

La Nébuleuse / Gabriel Rignol

EARLY MUSIC

Photo Ana Lucia Montezuma
JM Deltombe Photography
Photo Dorine Lepeltier-Kovacs
JM Deltombe Photography
Photo Be Culture – Ovidi Denruyter
JM Deltombe Photography
JM Deltombe Photography
Photo Dorine Lepeltier-Kovacs
Photo Dorine Lepeltier Kovacs
Photo Dorine Lepeltier Kovacs
Photo Ana Lucia Montezuma
Photo Ana Lucia Montezuma

La Nébuleuse (biographie courte)

 

Founded in 2021 under the leadership of Gabriel Rignol, the ensemble la Nébuleuse brings together singers and instrumentalists from Europe's leading conservatoires. Together, they explore the French and Italian repertoires of the 17th century and the musical bridges linking the two nations, with the goal to bring their common resonances to the widest possible audience. 

In a spirit of rediscovery, La Nébuleuse is also keen to bring back life works that have been forgotten or are little-known today, and places at the heart of its activity the search for new and unheard-of repertoires. Since its creation, the ensemble has had numerous opportunities to perform in France and abroad, benefiting in particular from residencies in Lyon (the Grands Concerts at the Chapelle de la Trinité), Vézelay (Cité de la Voix), Valenciennes (Harmonia Sacra springboard) but also Paradyż (Muzyka w Raju).

 

NEWS

Viaje a España

Start the year in Spanish style with the brand new teaser for La Nébuleuse: Viaje a España.  Watch the…

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Start the year in Spanish style with the brand new teaser for La Nébuleuse: Viaje a España. 

Watch the teaser here.

A brief overview of the Spanish musical landscape of the 17th and early 18th centuries. The program consists of works by major composers, both for the baroque guitar with Gaspar Sanz and Santiago de Murcia, as well as for singing with the Tonos Humanos (equivalent to court airs in Spain) with José Marin, but also Luis Briceño, who published the first book mentioning the baroque guitar in Paris, and who most certainly influenced Etienne Moulinié: the latter, in turn, composed court airs in Spanish with guitar accompaniment. These works, all clearly inspired by popular dances such as the Canarios, Jacaras, Tarentella, Chacona, Passacalle, and Folias, are accompanied by parts restored for the baroque guitar, the Colachon, and various types of percussion. 

Photo Dorine Lepeltier Kovacs


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