Arts-Scène Diffusion

Les Kapsber'girls

EARLY MUSIC

Photo Olivier Féraud
Photo Olivier Féraud
Photo Olivier Féraud
© H. Caldaguès
Photo P. Morales

Les Kapsber'girls

 

Passionate about exploring the pre-baroque and baroque repertoire, this young ensemble created in 2015 reunites four musicians and time to time some guests!

The Kapsber'Girls are looking for new ways of interpreting historical sources. Drawing their inspiration in diverse traditional repertoires, the four musicians are working at XVIIe and XVIIIe centuries pieces in a new transversal manner, playing with diversity of styles.
Energy and vitality are borrowed to « popular » music, the colors taken from actual music, the girls are willing to find novelty in ancestry.

Their name?  It is inspired by one of the most famous Italian composers from the start of the 17th century: Hiéronymus Kapsberger (1580 – 1651) that the girls honor in their first CD recording Che fai tù? (2020, Muso) which obtains several important awards such as Diapason d’Or (FR), ffff Télérama (FR), Jocker Découverte Crescendo Magazine (BE), Recording of the Month MusicWebInternational (UK).

Their second disc, released in 2021, about the French baroque repertory of Brunettes songs, (Alpha Classic) was awarded by the specialized international press (Recording of the week by Gramophone, 5 Diapasons, 5 stars Classica Magazine…)

The Kapsber'Girls are regularly the recipient of artistic & creation residencies in important artistic places such as Académie Bach (Arques-la-Bataille), La Cité de la Voix, Sinfonia en Périgord, and the CCR d'Ambronay,CCR Ferme de Villefavard, CCR Abbaye aux Dames.

We have heard them recently in many renowned European festivals: London Festival of Baroque Music (UK), Brighton Festival (UK), Festival Académie Bach (France), Toulouse les Orgues (France), Fora do Lugar (Portugal), Sinfonia en Périgord (France), Les Nuits de Septembre (Belgium), Festival Radio France (FR), Opera Lyon Underground...

 

May 2023

NEWS

A la luz del dia - The Kapsber'girls: focus program

In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th…

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In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th century, Les Kapsber'girls take us on a journey to the end of the Spanish Golden Age, focusing on one of the most important genres of the period: the Tonos Humanos.

In contrast to the Tonos Divinos, the term Tonos Humanos covers the vernacular strophic songs appropriated by Spanish composers of the period, such as the Villanelles in Italy and the Brunettes in France.

In this programme, with the shimmering colours of a Spain still ablaze, the quartet pays tribute to the key composers who shaped the Iberian musical repertoire: Juan Arañés (...-1649), José Marin (1619-1699), Mateo Romero (1575-1647) and others.

With their characteristic taste for sonic textures, Les Kapsber'girls invite two additional instruments to join them: the harp and percussion, offering themselves the opportunity to enrich their palette of colours. Instrumental music was not forgotten by composers such as Gaspar Sanz (ca 1640-1710) and Diego Fernandez De Huete (1635-1713), who drew inspiration from fashionable songs and dances, leaving in their wake a wealth of tunes for guitar and harp, two emblematic instruments of Spanish Baroque music.

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TEASER

Photo H. Caldaguès


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