Arts-Scène Diffusion

Les Kapsber'girls

EARLY MUSIC

© H. Caldaguès
Photo Olivier Féraud
Photo Olivier Féraud
Photo Olivier Féraud
Photo P. Morales

Alice Duport-Percier (version courte) Soprano

 

Alice Duport-Percier | Daughter of musician parents, Alice grew up in a rich musical environment and quickly showed a desire to sing. She started choral singing in the conservatory of Saint-Priest, and then entered the youth choir of the opera of Lyon.  She continued her vocal training with Claire Marbot. and specialised in early music at the Conservatoire National Supérieur de Musique et de Danse de Lyon  with Bruno Boterf, Anne Delafosse, Anne-Catherine Vinay, Monique Zanetti and Robert Expert.  Professional concert performer, Alice work with plenty ensembles: Libera me, Kapsber’girls, Tenta la fuga, Concerto Soave and Spirito. Alice is curious about every style and approach of music, thus exploring a wide repertoire, academic and popular, from medieval music to contemporary pop.

 

May 2023

NEWS

A la luz del dia - The Kapsber'girls: focus program

In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th…

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In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th century, Les Kapsber'girls take us on a journey to the end of the Spanish Golden Age, focusing on one of the most important genres of the period: the Tonos Humanos.

In contrast to the Tonos Divinos, the term Tonos Humanos covers the vernacular strophic songs appropriated by Spanish composers of the period, such as the Villanelles in Italy and the Brunettes in France.

In this programme, with the shimmering colours of a Spain still ablaze, the quartet pays tribute to the key composers who shaped the Iberian musical repertoire: Juan Arañés (...-1649), José Marin (1619-1699), Mateo Romero (1575-1647) and others.

With their characteristic taste for sonic textures, Les Kapsber'girls invite two additional instruments to join them: the harp and percussion, offering themselves the opportunity to enrich their palette of colours. Instrumental music was not forgotten by composers such as Gaspar Sanz (ca 1640-1710) and Diego Fernandez De Huete (1635-1713), who drew inspiration from fashionable songs and dances, leaving in their wake a wealth of tunes for guitar and harp, two emblematic instruments of Spanish Baroque music.

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Photo H. Caldaguès


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