Arts-Scène Diffusion

Les Kapsber'girls

EARLY MUSIC

Photo P. Morales
Photo Olivier Féraud
© H. Caldaguès
Photo Olivier Féraud
Photo Olivier Féraud

Alice Duport-Percier (version courte) Soprano

 

Alice Duport-Percier se forme au chant lyrique auprès de Claire Marbot et se spécialise dans les répertoires anciens au CNSMD de Lyon. Elle collabore actuellement avec de nombreux ensembles : Les Kapsber'girls, l’ensemble Libera me, en duo avec le claveciniste Dirk Börner, le Concerto Soave, la Chapelle Harmonique ou encore Spirito avec lesquels elle aborde un répertoire très large, savant et populaire, allant de la musique médiévale à la musique dite « actuelle ». Alice interprétera le rôle d’Amour dans l’Orphée et Eurydice de Gluck en 2023 à l’opéra de Zürich.

 

Mai 2023

NEWS

A la luz del dia - The Kapsber'girls: focus program

In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th…

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In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th century, Les Kapsber'girls take us on a journey to the end of the Spanish Golden Age, focusing on one of the most important genres of the period: the Tonos Humanos.

In contrast to the Tonos Divinos, the term Tonos Humanos covers the vernacular strophic songs appropriated by Spanish composers of the period, such as the Villanelles in Italy and the Brunettes in France.

In this programme, with the shimmering colours of a Spain still ablaze, the quartet pays tribute to the key composers who shaped the Iberian musical repertoire: Juan Arañés (...-1649), José Marin (1619-1699), Mateo Romero (1575-1647) and others.

With their characteristic taste for sonic textures, Les Kapsber'girls invite two additional instruments to join them: the harp and percussion, offering themselves the opportunity to enrich their palette of colours. Instrumental music was not forgotten by composers such as Gaspar Sanz (ca 1640-1710) and Diego Fernandez De Huete (1635-1713), who drew inspiration from fashionable songs and dances, leaving in their wake a wealth of tunes for guitar and harp, two emblematic instruments of Spanish Baroque music.

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Photo H. Caldaguès


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