Arts-Scène Diffusion

Les Kapsber'girls

EARLY MUSIC

Photo Olivier Féraud
Photo Olivier Féraud
Photo P. Morales
Photo Olivier Féraud
© H. Caldaguès
Photo Hubert Caldaguès

Alice Duport-Percier (version longue) Soprano

 

Alice grew up in a rich musical environment and quickly made her desire to sing known. She began by joining a children’s choir at 4 years-old and integrated la Maîtrise de l’Opéra de Lyon with which she took part in many Operas like Tchaikovsky’s Lady of Spades, Mozart’s Don Giovanni or Berg’s Lulu.

​She continued her vocal training with Claire Marbot and specialised in ‘Early Music’ at the Conservatoire National Supérieur de Musique of Lyon in 2013. She studied with Bruno Boterf, Anne Delafosse, Anne-Catherine Vinay, Monique Zanetti and Robert Expert. During her studies, Alice worked with great directors like Michael Radulescu, Sébastien Daucé or Raphaël Pichon. At the same time, she obtained her ‘Diplôme d’Etat’ from the CEFEDEM Rhône-Alpes in 2016.

Alice is semi-finalist of the Corneille Compétition (Rouen) in 2017 and the Froville Competition in 2019. As of today, she collaborates with several ensembles: Les Kapsber'girls, Libera me, Tenta la fuga, Concerto Soave, La chapelle harmonique or Spirito, with all of which she takes on a vast repertoire, both classical and popular ranging from middle-ages to today.

Alice had her first opera role in 2019 with Oberto in Handel’s Alcina as part of Händelfestspiele in Karlsruhe. She was directed by Andreas Spering and she was noticed for her voice, qualified as ‘crystalline’ and her acting skills as a young man. Alice is Love in Gluck’s Orpheus and Eurydice in May 2023 directed by Stefano Montanari in the prestigious Zürich Opern Haus.

 

May 2023

NEWS

VOX FEMINAE: new release!

After exploring Italian repertoires in Che fai tù? (Muso) and French in Vous avez dit brunettes? (Alpha Classics), Les Kapsber'girls…

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After exploring Italian repertoires in Che fai tù? (Muso) and French in Vous avez dit brunettes? (Alpha Classics), Les Kapsber'girls dedicate their third recording to baroque composers: hidden talents, unrevealed destinies, few of these composers had the opportunity to reveal their art, yet it is very real.

Recent research has brought to life the fascinating works of composers such as Barbara Strozzi (1619-1677), Isabella Leonarda (1620-1704), Lucia Quinciani (1566-1611), Francesca Caccini (1587-1641), Antonia Bembo (c.1643-1715) and Francesca Campana (c.1615-c.1665), who spent 69 years of her life in an Ursuline convent in Novara, which did not prevent her from composing no less than two hundred works!

TEASER


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