Arts-Scène Diffusion

Les Kapsber'girls

EARLY MUSIC

© H. Caldaguès
Photo Olivier Féraud
Photo Olivier Féraud
Photo P. Morales
Photo Olivier Féraud

Albane Imbs (version courte) Direction, lute, theorbo & baroque guitar

 

Albane Imbs discovered the renaissance lute at the tender age of 6 and obtained her master degree of Early Music in 2017. As lutenist, theorbist, and baroque guitarist, soloist or bass player, Albane is performing regularly within well-known ensembles such as Le Concert des Nations (J. Savall), Kapsberger Ensemble (R. Lislevand), Insula Orchestra(L. Equilbey), Le Concert Spirituel (H. Niquet), Les Musiciens du Louvre (M. Minkowski)… In 2015, Albane created her own ensemble, Les Kapsber’girls, a vocal and instrumental quartet, with the desire of rediscovering, with a new look, disregarded baroque compositions. Their recordings have been rewarded by Diapason d’Or, ffff Télérama and 5 stars Classica among others distinctions.

 

May 2023

NEWS

A la luz del dia - The Kapsber'girls: focus program

In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th…

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In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th century, Les Kapsber'girls take us on a journey to the end of the Spanish Golden Age, focusing on one of the most important genres of the period: the Tonos Humanos.

In contrast to the Tonos Divinos, the term Tonos Humanos covers the vernacular strophic songs appropriated by Spanish composers of the period, such as the Villanelles in Italy and the Brunettes in France.

In this programme, with the shimmering colours of a Spain still ablaze, the quartet pays tribute to the key composers who shaped the Iberian musical repertoire: Juan Arañés (...-1649), José Marin (1619-1699), Mateo Romero (1575-1647) and others.

With their characteristic taste for sonic textures, Les Kapsber'girls invite two additional instruments to join them: the harp and percussion, offering themselves the opportunity to enrich their palette of colours. Instrumental music was not forgotten by composers such as Gaspar Sanz (ca 1640-1710) and Diego Fernandez De Huete (1635-1713), who drew inspiration from fashionable songs and dances, leaving in their wake a wealth of tunes for guitar and harp, two emblematic instruments of Spanish Baroque music.

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Photo H. Caldaguès


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