Arts-Scène Diffusion

Les Kapsber'girls

EARLY MUSIC

Photo Olivier Féraud
Photo Olivier Féraud
Photo Olivier Féraud
Photo P. Morales
© H. Caldaguès

Axelle Verner (version courte) Chant mezzo-soprano

 

Axelle Verner nourrit sa pratique du chant par différents arts et recherche une grande palette de couleurs vocales. Diplômée de la Maîtrise de Notre Dame de Paris et du CNSMD de Lyon, elle explore les répertoires du médiéval flamboyant au baroque tardif en tant que soliste ou en ensemble aux côtés de chefs comme Simon-Pierre Bestion (La Tempête), Tiago Simas Freire (Capella Sanctae Crucis), Albane Imbs (Les Kapsber’girls), Sébastien Daucé (Correspondances), Franck-Emmanuel Comte (le Concert de l’Hostel Dieu), etc. Elle obtient le troisième prix au concours international de chant baroque de Froville en 2019.

 

Mai 2023

NEWS

A la luz del dia - The Kapsber'girls: focus program

In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th…

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In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th century, Les Kapsber'girls take us on a journey to the end of the Spanish Golden Age, focusing on one of the most important genres of the period: the Tonos Humanos.

In contrast to the Tonos Divinos, the term Tonos Humanos covers the vernacular strophic songs appropriated by Spanish composers of the period, such as the Villanelles in Italy and the Brunettes in France.

In this programme, with the shimmering colours of a Spain still ablaze, the quartet pays tribute to the key composers who shaped the Iberian musical repertoire: Juan Arañés (...-1649), José Marin (1619-1699), Mateo Romero (1575-1647) and others.

With their characteristic taste for sonic textures, Les Kapsber'girls invite two additional instruments to join them: the harp and percussion, offering themselves the opportunity to enrich their palette of colours. Instrumental music was not forgotten by composers such as Gaspar Sanz (ca 1640-1710) and Diego Fernandez De Huete (1635-1713), who drew inspiration from fashionable songs and dances, leaving in their wake a wealth of tunes for guitar and harp, two emblematic instruments of Spanish Baroque music.

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Photo H. Caldaguès


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