Arts-Scène Diffusion

Les Kapsber'girls

EARLY MUSIC

2025
17:00 Lisses France
Eglise Saint-Germain-Saint-Vincent
Vous avez dit brunettes?

 

17:00 Dijon France
Palais des Ducs de Bourgogne


 

Bourg-en-Bresse France
Domaine de la Garde
Did you say Brunettes ?

 

15:00 Paris France Journées du Luth
Chapelle St Thomas d'Aquin
Les Kap's en duo

 

17:00 Jaunay-Marigny France
Prieuré
The Kaps trio

 

Paris France
Salle Cortot
Vox Feminae

Concert de sortie de CD

16:00 Châtenay-Malabry France
Eglise St Germain
Vox Feminae

 

17:00 Valenciennes France Embaroquement immédiat

Donne Sacre Donne Profane

 

21:00 Auvers-sur-Oise France Festival d'Auvers/Oise
Library - Auvers-sur-Oise Castle
Donne Sacre, Donne Profane

 

20:00 Lyon France
Chapelle de la Trinité
Donne Sacre Donne Profane

 

11:00 Saintes France Festival de Saintes
Abbaye aux Dames
Donne Sacre, Donne Profane

 

18:00 Vallouise-Pelvoux France
Saint-Etienne Church
Did you say Brunettes?

 

London United Kingdom
The Lute Society Meeting
Che fai tù?

 

NEWS

A la luz del dia - The Kapsber'girls: focus program

In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th…

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In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th century, Les Kapsber'girls take us on a journey to the end of the Spanish Golden Age, focusing on one of the most important genres of the period: the Tonos Humanos.

In contrast to the Tonos Divinos, the term Tonos Humanos covers the vernacular strophic songs appropriated by Spanish composers of the period, such as the Villanelles in Italy and the Brunettes in France.

In this programme, with the shimmering colours of a Spain still ablaze, the quartet pays tribute to the key composers who shaped the Iberian musical repertoire: Juan Arañés (...-1649), José Marin (1619-1699), Mateo Romero (1575-1647) and others.

With their characteristic taste for sonic textures, Les Kapsber'girls invite two additional instruments to join them: the harp and percussion, offering themselves the opportunity to enrich their palette of colours. Instrumental music was not forgotten by composers such as Gaspar Sanz (ca 1640-1710) and Diego Fernandez De Huete (1635-1713), who drew inspiration from fashionable songs and dances, leaving in their wake a wealth of tunes for guitar and harp, two emblematic instruments of Spanish Baroque music.

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TEASER

Photo H. Caldaguès


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