The latter work is played with bags of charm and considerable flamboyance by the Franco-Romanian Nemtanus, Deborah and Sarah, sweet if a bit lightweight in tone, exactingly precise in all those exposed bravura passages in parallel harmonies, and relishing the neo-Baroque flourishes with which Martinů peppers the score. There’s dash and verve in the opening movement, a slightly barbed elegance in the Moderato, where they vie with each other for the principal melody, and real exhilaration in the final sprint for home. Above all, they sound as if they’re really enjoying themselves with it. Read more
Deborah Nemtanu was a guest at the Printemps Musical des Alizés festival in Essaouira, Morocco, last week for two concerts,…
Read moreDeborah Nemtanu was a guest at the Printemps Musical des Alizés festival in Essaouira, Morocco, last week for two concerts, in chamber music with pianist Romain Descharmes, and in concerto with the Moroccan Philharmonic Orchestra.
Click here to discover an extract and an interview with Deborah Nemtanu.
