Arts-Scène Diffusion

Fanny Azzuro

PIANO

Huntley Dent, Fanfare Magazine, July/August 2017

Azzuro is so at home in this atmosphere that I find her readings entirely sympathetic and revealing. Because she doesn’t focus on adding extra-musical flash—her “Alborada del gracioso” is one of the most mercurial, least stamping I’ve heard—one comes away feeling that she’s as precise and subtle as Ravel could have wished for […] Count me a devoted admirer, then, all the more because this CD is so far removed from Azzuro’s first album of Rachmaninoff, Prokofiev, and Kapustin. What could have descended into polyglot turns out to be impessively multi-lingual. Very fine recorded sound from Salle Colonne in Paris, capturing Azzuro’s Yamaha CFX with convincing range and fidelity.

NEWS

The Night

Fanny Azzuro joins actress Brigitte Fossey for a concert-reading on the theme of The Night this saturday April 19th at…

Read more

Fanny Azzuro joins actress Brigitte Fossey for a concert-reading on the theme of The Night this saturday April 19th at 8pm in Lauzun (FR).

Night is one of the strongest themes of Romanticism. Indeed, this fascination with the night is linked to a love of mystery and dreams. At night, all unreal visions can take hold, and all the evils of the day can be forgotten. Musset's Nuits series is a case in point. Night can also be associated with a symbol of the decline of human life. In this case, twilight represents the last sighs of existence. This is what Victor Hugo describes in Soleils couchants. It's also this nostalgic beauty that Baudelaire brings to life in his poem Harmonie du soir. Many 19th-century composers were interested in the theme of night, notably Schumann with some of his Kinderszenen, Chopin and his Nocturnes, Clara Schumann with her Soirées musicales... A sparkling, touching nocturnal world.


This website uses cookies. By continuing to use this website you are giving consent to cookies being used.