Arts-Scène Diffusion

Les Kapsber'girls

EARLY MUSIC

Norbert von Kanarajan, Le Canard Enchaîné, Août 2024

Les Kapsber'girls, baroque'n'roll ! (Chansons à voir)

Les Kapsber'girls transforment cette musique d'apparence mineure en véritables petits bijoux. Leur recette ? Des voix expressives et proches du texte, dont les ornements sont à se pâmer (les sopranos Alice Duport-Percier et Gabrielle Varbetian), et des parties instrumentales diablement colorées et vivantes (Albane Imbs au luth et à la guitare, Garance Boizot à la viole de gambe). Ensemble, elles créent des ambiances théâtrales et s'offrent de joyeuses libertés. Les voix prennent des airs canailles, se faisant même nasales ou simplement parlées, et les insturments n'hésitent pas à sortir de leur carcan : les riffs de guitare baroque et les bourdons de viole de gambe auraient de quoi rendre jaloux bien des groupes de funk.

NEWS

A la luz del dia - The Kapsber'girls: focus program

In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th…

Read more

In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th century, Les Kapsber'girls take us on a journey to the end of the Spanish Golden Age, focusing on one of the most important genres of the period: the Tonos Humanos.

In contrast to the Tonos Divinos, the term Tonos Humanos covers the vernacular strophic songs appropriated by Spanish composers of the period, such as the Villanelles in Italy and the Brunettes in France.

In this programme, with the shimmering colours of a Spain still ablaze, the quartet pays tribute to the key composers who shaped the Iberian musical repertoire: Juan Arañés (...-1649), José Marin (1619-1699), Mateo Romero (1575-1647) and others.

With their characteristic taste for sonic textures, Les Kapsber'girls invite two additional instruments to join them: the harp and percussion, offering themselves the opportunity to enrich their palette of colours. Instrumental music was not forgotten by composers such as Gaspar Sanz (ca 1640-1710) and Diego Fernandez De Huete (1635-1713), who drew inspiration from fashionable songs and dances, leaving in their wake a wealth of tunes for guitar and harp, two emblematic instruments of Spanish Baroque music.

Click here for more details!

TEASER

Photo H. Caldaguès


This website uses cookies. By continuing to use this website you are giving consent to cookies being used.