Arts-Scène Diffusion

La Nébuleuse / Gabriel Rignol

EARLY MUSIC

In the footsteps of the theorbo

The story of an instrument's life between Italy, France and Baroque Germany

 

This programme retraces the life of the theorbo, beginning with its invention in Italy by Kapsberger, Castaldi and Piccinini, followed by its arrival in France with Robert de Visée etc...

 

Johannes HIERONYMUS KAPSGERBER (Venice 1580 - Rome 1651)
Libro quarto (1640) d'Intavolatura di Chitarone

Bellerofonte CASTALDI (Collegara 1580 - Modena 1649)
Capricci a due stromenti (1622)

Alessandro PICCININI (Bologna 1566 - Bologna 1638)
Intavolatura di Liuto et di Chitarrone, libro primo (1632)
Suite in D and G minor :
Toccata Prima, Arpeggiata a mio modo, Passacaglia,
Toccata VI, Canario & Sfessaina

Robert DE VISÉE (France 1650 - Paris 1725)
Ms. Vaudry de Saizenay Vaudry de Saizenay (1699)
Suite in A minor 

Johann Sebastian BACH (Eisenach 1685 - Leipzig 1750)
Suites for Cello (1726)
First Suite in G major BWV 1007

 

R. de Visée - Chaconne in A m

 


G. Kapsberger - Canario & Sfessaina

 


In the footsteps of the theorbo
In the footsteps of the theorbo

NEWS

Viaje a España

Start the year in Spanish style with the brand new teaser for La Nébuleuse: Viaje a España.  Watch the…

Read more

Start the year in Spanish style with the brand new teaser for La Nébuleuse: Viaje a España. 

Watch the teaser here.

A brief overview of the Spanish musical landscape of the 17th and early 18th centuries. The program consists of works by major composers, both for the baroque guitar with Gaspar Sanz and Santiago de Murcia, as well as for singing with the Tonos Humanos (equivalent to court airs in Spain) with José Marin, but also Luis Briceño, who published the first book mentioning the baroque guitar in Paris, and who most certainly influenced Etienne Moulinié: the latter, in turn, composed court airs in Spanish with guitar accompaniment. These works, all clearly inspired by popular dances such as the Canarios, Jacaras, Tarentella, Chacona, Passacalle, and Folias, are accompanied by parts restored for the baroque guitar, the Colachon, and various types of percussion. 

Photo Dorine Lepeltier Kovacs


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