La Nébuleuse / Gabriel Rignol
EARLY MUSICOnce upon a time in southern Europe
Musicologically speaking, this programme tells the story of the invention and arrival of the basso continuo in Italy, France and then Spain, with the transition from vocal music in tablature + chant (whether keyboard, lute, guitar or alphabeto tablature) to the basso continuo + chant version (with some composers continuing to use both systems together).
Otherwise, it's a journey between Italy, France and Spain in the early Baroque period, with Kapsberger and Monteverdi in Italy, Moulinié and Lambert in France, and Briceño, Hidalgo and Marin in Spain. Instrumental music has its rightful place here, as Rognoni, Marais and De Visée are called upon, but above all a varied instrumentarium.
Cast:
Clémence Niclas, soprano & recorder
Imanol Iraola, baritone & percussion
Manon Papasergio, viola da gamba (and harp if possible)
Gabriel Rignol, theorbo & guitar
Claudio MONTEVERDI
Non vedro mai le stelle
Giovanni Girolamo KAPSBERGER
L’alba cintia di fiori
Giovanni Girolamo KAPSBERGER
Occhi Vibrate
Francesco Rognoni TAEGGIO
Vestiva i colli
Giovanni Girolamo KAPSBERGER
Fulminat'accesi
Claudio MONTEVERDI
Non è di gentil core
Étienne MOULINIÉ
Amour est un plaisir si doux
Étienne MOULINIÉ
Qu'on ne me parle plus d'amour
Michel LAMBERT
Le repos
Marin MARAIS
Courante
Michel LAMBERT
A young and tender beauty
Robert DE VISÉE
Passacaglia in D minor
Michel LAMBERT
Celuy qu'amour
Robert DE VISÉE
Gigue
Michel LAMBERT
On a beau feindre
Étienne MOULINIÉ
Dialogue de l'Espagnol
Juan HIDALGO
Esperar
Luis de BRICEÑO
Dime de que de quexas
Juan HIDALGO
Donde Esta Mi Dueno
Jose MARIN
Que Dulcemente Suena
Luis de BRICEÑO
Serrana si vuestros Ojos
Concerts
Savoie, France
Festival de Tarentaise
Videos
Étienne Moulinié - Dialogue de l'Espagnol
NEWS
Viaje a España
Start the year in Spanish style with the brand new teaser for La Nébuleuse: Viaje a España. Watch the…
Read moreStart the year in Spanish style with the brand new teaser for La Nébuleuse: Viaje a España.
A brief overview of the Spanish musical landscape of the 17th and early 18th centuries. The program consists of works by major composers, both for the baroque guitar with Gaspar Sanz and Santiago de Murcia, as well as for singing with the Tonos Humanos (equivalent to court airs in Spain) with José Marin, but also Luis Briceño, who published the first book mentioning the baroque guitar in Paris, and who most certainly influenced Etienne Moulinié: the latter, in turn, composed court airs in Spanish with guitar accompaniment. These works, all clearly inspired by popular dances such as the Canarios, Jacaras, Tarentella, Chacona, Passacalle, and Folias, are accompanied by parts restored for the baroque guitar, the Colachon, and various types of percussion.
Photo Dorine Lepeltier Kovacs
