La Nébuleuse / Gabriel Rignol
EARLY MUSICThe Versailles Grotto
Recital dedicated to French music
Robert DE VISÉE - Suite of transcriptions in D m
Overture to Grotte de Versailles, Les Sourdines d'Armide, Echos d'Atys, Que devant vous tout s'abaisse et tout tremble (Atys), Sommes-nous pas trop heureux (Ballet de l'Impatience), Heureux qui peut plaire, Dieu des enfers, Les Matelots de Mr Marais, Grande Passacaille d'Armide
Suite in G m
Prelude (Anonymous), Allemande (Le Moyne), Courante (Anonymous), Sarabande (Hottemann), Gigue (Le Moyne), Fugue (M. Angelo Michel (Michelangelo Bartolotti)
Robert DE VISÉE - Suite in A M
Prelude, Allemande, Courante, Sarabande, Gigue, Gavotte
Robert DE VISÉE - Suite in A m
Prelude, Allemande la Royale, Courante, Sarabande, Gavotte, La mascarade, Folies d'Espagne, Chaconne
Concerts
NEWS
Viaje a España
Start the year in Spanish style with the brand new teaser for La Nébuleuse: Viaje a España. Watch the…
Read moreStart the year in Spanish style with the brand new teaser for La Nébuleuse: Viaje a España.
A brief overview of the Spanish musical landscape of the 17th and early 18th centuries. The program consists of works by major composers, both for the baroque guitar with Gaspar Sanz and Santiago de Murcia, as well as for singing with the Tonos Humanos (equivalent to court airs in Spain) with José Marin, but also Luis Briceño, who published the first book mentioning the baroque guitar in Paris, and who most certainly influenced Etienne Moulinié: the latter, in turn, composed court airs in Spanish with guitar accompaniment. These works, all clearly inspired by popular dances such as the Canarios, Jacaras, Tarentella, Chacona, Passacalle, and Folias, are accompanied by parts restored for the baroque guitar, the Colachon, and various types of percussion.
Photo Dorine Lepeltier Kovacs