Trio SR9

This program is a sensory and poetic exploration of musical material, where three worlds meet and respond to each other. A thread stretched between three unique styles, each offering a different way of inhabiting sound and making it vibrate. Three sensibilities, driven by the same desire: to travel through time. 

Between the expressive rigor of Johann Sebastian Bach, the repetitive undulations of Philip Glass, and the intimate landscapes of Hania Rani, an expanded listening experience emerges, attentive to what vibrates beneath the surface. An invitation to let oneself be carried away by the music, to hear what connects—in the space between the notes, the resonances, in the breath of time. 

Revisited here through percussion keyboards and other percussive colors, this repertoire opens up to new textures and new spaces for listening. A spellbinding concert, offering an experience that is as visual as it is auditory, at the crossroads of wonder and rediscovery.

Instrumentarium: 1 vibraphone, 2 marimbas, double bass blades, glasses, small percussion instruments

Program (provisional):

Jean-Sebastian Bach (1685–1750)
Organ Concerto in D minor, BWV 596 (after Vivaldi)
Canzona in D minor, BWV 588
Siciliano from the Sonata in E-flat major, BWV 1031
Goldberg Variations No. 25, BWV 988

Philip GLASS (1937-)
Einstein on the Beach - Knee Play No. 4
Études: No. 6
Wichita Vortex Sutra
Partita No. 2: Movement 1

Hania RANI (1990-)
Hawaii Oslo
Esja
Today It Came
Now Run
Buka