Arts-Scène Diffusion

Joanne Talbot, The Strad, February 2004

[...] a truly committed performance from Emmanuelle Bertrand and excellent recording quality [...] Both Bertrand and pianist Pascal Amoyel have an obvious affinity with the musical idiom, delivering performances of great sensitivity, particularly in Prayer, where Bertrand conjures up bow strokes that are by turns mysteriously breathy or fiercely ardent.