Arts-Scène Diffusion

Les Kapsber'girls

EARLY MUSIC

Photo Olivier Féraud
© H. Caldaguès
Photo P. Morales
Photo Olivier Féraud
Photo Olivier Féraud

Axelle Verner (version courte) Chant mezzo-soprano

 

Axelle Verner nourishes her practice of singing through different arts and seeks a wide palette of vocal colors. A graduate of the Maîtrise de Notre Dame de Paris and the CNSMD de Lyon, she explores repertoires from the flamboyant medieval to the late baroque as a soloist or in ensemble alongside conductors such as Simon -Pierre Bestion (La Tempête), Tiago Simas Freire (Capella Sanctae Crucis), Albane Imbs (Les Kapsber'girls), Sébastien Daucé (Correspondances), Franck-Emmanuel Comte (the Concert at the Hostel Dieu), etc. She won the third prize at the Froville International Baroque Singing Competition in 2019.

 

May 2023

NEWS

A la luz del dia - The Kapsber'girls: focus program

In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th…

Read more

In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th century, Les Kapsber'girls take us on a journey to the end of the Spanish Golden Age, focusing on one of the most important genres of the period: the Tonos Humanos.

In contrast to the Tonos Divinos, the term Tonos Humanos covers the vernacular strophic songs appropriated by Spanish composers of the period, such as the Villanelles in Italy and the Brunettes in France.

In this programme, with the shimmering colours of a Spain still ablaze, the quartet pays tribute to the key composers who shaped the Iberian musical repertoire: Juan Arañés (...-1649), José Marin (1619-1699), Mateo Romero (1575-1647) and others.

With their characteristic taste for sonic textures, Les Kapsber'girls invite two additional instruments to join them: the harp and percussion, offering themselves the opportunity to enrich their palette of colours. Instrumental music was not forgotten by composers such as Gaspar Sanz (ca 1640-1710) and Diego Fernandez De Huete (1635-1713), who drew inspiration from fashionable songs and dances, leaving in their wake a wealth of tunes for guitar and harp, two emblematic instruments of Spanish Baroque music.

Click here for more details!

TEASER

Photo H. Caldaguès


This website uses cookies. By continuing to use this website you are giving consent to cookies being used.