Arts-Scène Diffusion

Les Kapsber'girls

EARLY MUSIC

Photo P. Morales
Photo Olivier Féraud
Photo Olivier Féraud
© H. Caldaguès
Photo Olivier Féraud

Axelle Verner (version longue) Chant mezzo-soprano

 

A graduate of the Maîtrise de Notre-Dame de Paris, then of the National Conservatory of Music of Lyon in the singing-early music class of Robert Expert, Axelle Verner perfected her skills in 2019-2020 at Cécile de Boever's Lyric Center of Excellence. Axelle Verner wins third prize at the Froville International Baroque Singing Competition in 2019.

She performs regularly as a soloist with many ensembles such as La Tempête (S.-P. Bestion), Les Kapsber'girls (A. Imbs), La Capella Sanctae Crucis (T. Simas Freire), Le Concert de l' Hostel Dieu (F.-E. Comte), the Concerto Soave (J.-M. Aymes), Correspondances (S. Daucé), and shares the artistic direction of the Ars Sonic ensemble with Olivier Féraud.

With the Concerto Soave, she sings the role of Nunzia in La Liberation de Ruggiero, (Francesca Caccini). Through the CNSMD of Lyon, Axelle Verner is Ottavia in Le Couronnement de Poppée (Monteverdi) and Dido in the opera Dido and Enée (Purcell). Soloist with the Concert de l'Hostel Dieu, she mixes theater and singing to offer original shows that interact with the public. In 2022, his first solo album was released with the Concert de l'Hostel Dieu: "fifty/fifty". It's an original record, a sort of pop musical UFO.

As a painter, Axelle Verner likes to mix genres and creates recitals where vocal art mixes with graphic arts (Le Fil d'Ariane, amphitheater at the Opéra de Lyon; master's recital at the CNSMDL).

Also a researcher, she works in partnership with a doctoral student in linguistics, T.Premat, and a doctor in musicology, S. Chouvion, around musical publishing during the Renaissance. With this trio, she participates in the writing of articles as well as in several conferences and seminars (Seminar on general metrics at the Sorbonne, Colloquium of Morimondo in Italy, etc.).

 

May 2023

NEWS

A la luz del dia - The Kapsber'girls: focus program

In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th…

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In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th century, Les Kapsber'girls take us on a journey to the end of the Spanish Golden Age, focusing on one of the most important genres of the period: the Tonos Humanos.

In contrast to the Tonos Divinos, the term Tonos Humanos covers the vernacular strophic songs appropriated by Spanish composers of the period, such as the Villanelles in Italy and the Brunettes in France.

In this programme, with the shimmering colours of a Spain still ablaze, the quartet pays tribute to the key composers who shaped the Iberian musical repertoire: Juan Arañés (...-1649), José Marin (1619-1699), Mateo Romero (1575-1647) and others.

With their characteristic taste for sonic textures, Les Kapsber'girls invite two additional instruments to join them: the harp and percussion, offering themselves the opportunity to enrich their palette of colours. Instrumental music was not forgotten by composers such as Gaspar Sanz (ca 1640-1710) and Diego Fernandez De Huete (1635-1713), who drew inspiration from fashionable songs and dances, leaving in their wake a wealth of tunes for guitar and harp, two emblematic instruments of Spanish Baroque music.

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TEASER

Photo H. Caldaguès


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