Arts-Scène Diffusion

Les Kapsber'girls

EARLY MUSIC

Che fai tù?

Vilanelles

Che fai tù?

Muso, 2020



 


Videos






Press

Toccata, Novembre 2020

Die Bedeutung dieser Produktion ist wohl kaum zu überschätzen.

Traduction :
L’importance de cette production est inégalable.

Jean Lacroix, Crescendo Magazine, Juillet 2020

Un disque rayonnant.

Ferruccio Nuzzo, Grey Panther, Juin 2020

Un CD affascinante, sorprendente, vitalizzante, primaverile.

Traduction :
Un CD fascinant, surprenant, vitalisant, printanier.

Sophie Bourdais, Télérama, Mai 2020

Tout y est, grâce, fraicheur et mouvement.

Cécile Glaenzer, ResMusica, Avril 2020

Ce premier disque est une véritable pépite.

Denis Morrier, Diapason, Avril 2020

Ces délicates mignardises sont servies avec ferveur par un quatuor fusionnel.

Gwyn Parry-Jones, MusicWebInternational, 2020

The CD is an unqualified delight .

Traduction:
Le disque est un délice sans réserve.

(Recording of the year 2020)

Juan Ramón Lara, Scherzo, Janvier 2020

Encantador en todos los aspectos resulta el exitoso disco de debut de las chicas de Kapsberger: en música, presentación e interpretación.

Traduction:
Le disque des ‘filles de Kapsberger’ se trouve enchanteur sous tous les aspects : en musique, présentation et interprétation.

Audio

Che fai tù?

Piste 01 - Che fai tù?


Che fai tù?

Piste 08 - Canarios


Che fai tù?

Piste 09 - All' Ombra


NEWS

A la luz del dia - The Kapsber'girls: focus program

In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th…

Read more

In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th century, Les Kapsber'girls take us on a journey to the end of the Spanish Golden Age, focusing on one of the most important genres of the period: the Tonos Humanos.

In contrast to the Tonos Divinos, the term Tonos Humanos covers the vernacular strophic songs appropriated by Spanish composers of the period, such as the Villanelles in Italy and the Brunettes in France.

In this programme, with the shimmering colours of a Spain still ablaze, the quartet pays tribute to the key composers who shaped the Iberian musical repertoire: Juan Arañés (...-1649), José Marin (1619-1699), Mateo Romero (1575-1647) and others.

With their characteristic taste for sonic textures, Les Kapsber'girls invite two additional instruments to join them: the harp and percussion, offering themselves the opportunity to enrich their palette of colours. Instrumental music was not forgotten by composers such as Gaspar Sanz (ca 1640-1710) and Diego Fernandez De Huete (1635-1713), who drew inspiration from fashionable songs and dances, leaving in their wake a wealth of tunes for guitar and harp, two emblematic instruments of Spanish Baroque music.

Click here for more details!

TEASER

Photo H. Caldaguès


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