Arts-Scène Diffusion

Les Kapsber'girls

EARLY MUSIC

In the Garden of Delights

 

Between piety and eroticism...
Through selected pieces, inspired by one of the most surprising books of the Old Testament, the Song of Songs, the Kapsber'girls invite you to enter the heart of a Garden of Delights where spirituality and sensuality come together to become one.
The intimate atmosphere of candlelight opens up a dreamlike and poetic world produced by the musical universe of the greatest Italian and French Baroque composers such as Hieronymus Kapsberger, André Campra, Claudio Monteverdi and Francesca Rusca.
These four-century-old arias and motets are echoed by Freddy Eichelberger's virtuoso organ improvisations, taking us into a timeless space.

 

Concert by candlelight, 1h15 without intermission with a guest artist: the organist Freddy Eichelberger (5 musicians).

 

Cast
Alice Duport-Percier, Soprano
Axelle Verner, Mezzo-soprano
Garance Boizot, Viola da gamba
Albane Imbs, Theorbo, direction
Freddy Eichelberger, Organ

 

André Campra (1660-1744)
Cari Zephiri volate, motet for 2 voices

Hieronymus Kapsberger (1580-1651)
Nigra sum sed formosa
Libro Primo di Mottetti passeggiati a una voce

Claudia Rusca (1593-1676)
Surge amica mea
Sacri Concerti

Claudio Monteverdi
Quam pulchra es
Sacrae cantiunculae tribes vocibus, liber primus

André Campra (1660-1744)
Tota pulchra es amica mea ​​​
Collection of motets
Surge propera

Giulio S. Pietro del Negro (~1570 – ~1620)
Veniat dilectus meus

Lorenzo Calvi
Symbolae diversorum musicorum

Francesca Rusca (1593-1676)
Ego Dormio
Sacri concerti a 2 voci

Hieronimus Kapsberger
Anima mea liquefacta est
Libro Primo di Motteti passeggiati a una voce

Alessandro Grandi (1586-1630)
Quae is ista
Il terzo libro de motetti a due, tre, et quattro voci, … per sonar nell’organo...

Tarquino Merula (1595-1665)
Fuge and come dilect mi
Opera 1

 

NEWS

A la luz del dia - The Kapsber'girls: focus program

In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th…

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In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th century, Les Kapsber'girls take us on a journey to the end of the Spanish Golden Age, focusing on one of the most important genres of the period: the Tonos Humanos.

In contrast to the Tonos Divinos, the term Tonos Humanos covers the vernacular strophic songs appropriated by Spanish composers of the period, such as the Villanelles in Italy and the Brunettes in France.

In this programme, with the shimmering colours of a Spain still ablaze, the quartet pays tribute to the key composers who shaped the Iberian musical repertoire: Juan Arañés (...-1649), José Marin (1619-1699), Mateo Romero (1575-1647) and others.

With their characteristic taste for sonic textures, Les Kapsber'girls invite two additional instruments to join them: the harp and percussion, offering themselves the opportunity to enrich their palette of colours. Instrumental music was not forgotten by composers such as Gaspar Sanz (ca 1640-1710) and Diego Fernandez De Huete (1635-1713), who drew inspiration from fashionable songs and dances, leaving in their wake a wealth of tunes for guitar and harp, two emblematic instruments of Spanish Baroque music.

Click here for more details!

TEASER

Photo H. Caldaguès


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