Arts-Scène Diffusion

Les Kapsber'girls

EARLY MUSIC

A la Luz Del Dia

A la Luz Del Dia

 

In this last part of the trilogy dedicated to repertoires of popular origins brought up to date throughout Europe at the beginning of the 17th century, Les Kapsber'girls offer a dive into the end of the Spanish Golden Age by focusing on one of the most important genres of this period: the Tonos Humanos.

As opposed to Tonos Divinos, the term Tonos Humanos brings together the vernacular Stophic songs appropriated by Spanish composers of the time, such as Les Villanelles in Italy and Les Brunettes in France.

Thus, the quartet honors, in this program with the shimmering colors of a still incandescent Spain, the leading composers who shaped the Iberian musical repertoire: Juan Arañés (…-1649), José Marin (1619-1699) , Mateo Romero (1575-1647).

With the taste for sound textures that characterizes them, Les Kapsber'girls invite two additional instruments to join them: the harp and the percussion, thus offering themselves the opportunity to enrich their palette of colors!
Instrumental music is not to be outdone among composers - we note in particular among the most famous Gaspar Sanz (ca 1640 -1710) and Diego Fernandez De Huete (1635-1713) - who are then inspired by fashionable songs or popular dances to leave in their wake quantities of airs for guitar and harp, two emblematic instruments of Spanish baroque music!

 

Distribution
Alice Duport-Percier, Soprano
Axelle Verner, Mezzo-soprano
Garance Boizot, Bass viol
Pernelle Marzorati, Triple harp
Michele Claude, Percussion
Albane Imbs, Archlute, baroque guitar and direction

 

Concert without intermission, 1h15 (6 musicians).

 

Juan Arañes (1580-1649)
A la luz del dia 

Juan Arañes
Zagalera Lastimada

José Marin (1618-1699)
Amante Ausente y triste

Juan Arañes
En dos lucientes

Diego Fernandez De Huete (1635-1713)
Passacalles De Proporzione Por Octabo Tono - instrumental

Juan Arañes
Avecillas suaves

Juan Arañes
Parten las galeras

Sebastian Durón (1660-1716)
Duerme rosa y descansa

Gaspar Sanz (1640-1710)
Spagnoleta - instrumental

José Marin (1619-1699)
Ojos pues me desdeñais

Gaspar Sanz
Jacaras - instrumental

José Marin 
SI quieres dar Marica en lo cierto

Gaspar Sanz
Mariçapalos - instrumental

Mateo Romero (1575-1647)
Las Heridas de Medoro

Juan Arañes
A quel ninno

Improvisation – instrumental
Gaspar Sanz
Canarios - instrumental
Juan Arañes
Un sarao de la ciaconna

 

A la Luz Del Dia

 


NEWS

A la luz del dia - The Kapsber'girls: focus program

In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th…

Read more

In this final instalment of the trilogy devoted to popular repertoires revived throughout Europe at the beginning of the 17th century, Les Kapsber'girls take us on a journey to the end of the Spanish Golden Age, focusing on one of the most important genres of the period: the Tonos Humanos.

In contrast to the Tonos Divinos, the term Tonos Humanos covers the vernacular strophic songs appropriated by Spanish composers of the period, such as the Villanelles in Italy and the Brunettes in France.

In this programme, with the shimmering colours of a Spain still ablaze, the quartet pays tribute to the key composers who shaped the Iberian musical repertoire: Juan Arañés (...-1649), José Marin (1619-1699), Mateo Romero (1575-1647) and others.

With their characteristic taste for sonic textures, Les Kapsber'girls invite two additional instruments to join them: the harp and percussion, offering themselves the opportunity to enrich their palette of colours. Instrumental music was not forgotten by composers such as Gaspar Sanz (ca 1640-1710) and Diego Fernandez De Huete (1635-1713), who drew inspiration from fashionable songs and dances, leaving in their wake a wealth of tunes for guitar and harp, two emblematic instruments of Spanish Baroque music.

Click here for more details!

TEASER

Photo H. Caldaguès


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