Emmanuelle Bertrand & Pascal Amoyel
VIOLONCELLE ET PIANO- novembre 2024
- Musicologie, novembre 2024
- Classica, novembre 2024
- lyrica-massilia, avril 2024
- Télérama, octobre 2023
- Wanderer, Mars 2023
- ResMusica, Août 2022
- Le Monde, Septembre 2021
- Diapason, Septembre 2021
- Classica, Septembre 2021
- L'OBS, Août 2021
- La Nouvelle République, Juin 2021
- Var Matin, Avril 2019
- Le Devoir, Mars 2019
- Septembre 2018
- Le Devoir, Juillet 2018
- Waterford News and Star, 18 April 2017
- The Sunday Independent, 19 March 2017
- Wunderkammern, 12 mars 2017
- Music Network, 25 November 2016
- Le progrès, 3 juillet 2016
- Le Figaro, 28 mai 2015
- Artamag, mai 2015
- All Music, May 2015
- The Classical Reviewer, February 2015
- The Guardian, February 2015
- MusicWeb International, September 2014
- Le Monde, 2013
- The Strad, July 2013
- Gramophone Magazine, June 2013
- BBC Music Magazine, May 2013
- Classica, 2013
- Classica, Octobre 2011
- ResMusica, 2011
- The Strad, 2008
- Strad Magazine, 2008
- The Strad, February 2004
- The Irish Times, 8 January 2004
- The Observer, 8 January 2004
- Diapason, 2003
- Diapason, 2001
David Fanning, Gramophone Magazine, June 2013
Bertrand is nothing if not a gutsy player. The close-up recording captures her every breath and every rasp of bow on string. Pascal Rophe makes sure that the BBC NOW responds in kind [...] If she is as good live as she sounds here, and if she is as full of insight in the rest of her repertoire, I would certainly travel a distance to hear her [...] The Sonata, too, with Pascal Amoyel as much accomplice as accompanist, is individual without ever sounding forced. Bertrand gives us one of the dreamier accounts of the first movement and one of the most reined-in of the scherzo.
PROCHAINS CONCERTS
Saintes (17), France
Le Havre (76), France
Sceaux (92), France
Saint-Dié-des-Vosges (88), France
Londres, Royaume-Uni